레티시아 라모스

Leticia Ramos is an artist-scientist who researches the impacts that geological and climatic phenomena can have on the imagination. Drawing on natural events and optical effects, she creates symbolic connections between politics, science, and imagination at the intersection of the future and the past. With a rigorous approach to constructing imaginary landscapes, narratives, and fables, her practice takes form in photography, installation, film, and performance. Through her investigation of the photographic medium and material, she uses models and analog special effects techniques. Her works are included in collections such as Botín Foundation, New Museum of Monaco, Kadist, Itaú Cultural, Museum of Modern Art of São Paulo, Instituto Moreira Salles, and Pinacoteca do Estado de São Paulo. She is currently participating in the OCEAN’S EDGE artistic research program, a project conceived by Pivô and Invisible Dust (UK), which combines ocean sciences and contemporary art in an investigation into the future of the Atlantic Ocean. Leticia Ramos (b. 1976, Santo Antônio da Patrulha, Brazil) lives and works in São Paulo. Recent solo and two-person shows include Silver , Mendes Wood DM , Casa Iramaia , São Paulo (2025); Galáxias , Mendes Wood DM , Brussels (2024); Campo Magnético , School of Arts , Portuguese Catholic University (PUC) , Porto (2024); Ruído , Mendes Wood DM , São Paulo (2022); NULL ISLAND , Jeu de Paume , Paris (2020); História Universal dos Terremotos , Pivô , São Paulo (2018); Planisphere , Mendes Wood DM , São Paulo (2017); História Universal dos Terremotos, Fundación Botín , Santander (2017). Additionally, she has participated in group exhibitions at For All At Last Return , The Baltic Centre for Contemporary Art , Gateshead (2025); Dim Corners , Museum Africa , Johannesburg (2024); Linhas Tortas , Mendes Wood DM , São Paulo (2023); Pivô , São Paulo (2023); Enourmousballs , Mendes Wood DM , Brussels (2020); O Triângulo Atlântico , 11th Bienal do Mercosul , Porto Alegre (2018); Biennale Jogja XII , Jogja (2017); corpoacorpo , Instituto Moreira Salles , São Paulo (2017); Hercule Florence: Le nouveau Robinson , Nouveau Musée National Monaco , Villa Paloma (2017); 18th Festival de Arte Contemporânea SESC Videobrasil, SESC Pompéia , São Paulo (2013); Se o clima for favorável / Wheather permitting... , 9th Bienal do Mercosul , Porto Alegre (2013); Programa de Fotografia , Centro Cultural São Paulo , São Paulo (2012); Trilhas do Desejo , Itaú Cultural , São Paulo (2009).