바르다 카이바노

Varda Caivano’s abstraction opens different ways of understanding the image and seeks to reveal the counter-effect of painting as if it were inimical of the image. Her compositions, sometimes rhythmic and antagonistically entropic, reveal hidden layers in the painting, in addition to a solemn and urgent sense, as if something was going to happen at any moment, though following a particular order. Caivano investigates moments of light and image, almost like an archaeologist exploring fossilized rocks. Her work is at once mysterious, persistent, and timeless. In the exercise of combining and juxtaposing colors and shapes, Caivano’s work is a meditation on the nature of her own paintings. One of the possible ways to unlock our understanding of Caivano’s work is to consider the image as essence, without the artifices commonly attributed to painting. It is as if we are facing what is behind it. It is the state of the beginning but also of the end of the light. It causes an involuntary anomaly in time in the same way that poetry does. By exploring a rhythm marked by the gesture preceding the form, Caivano provides alternatives for the painting to suggest an essence above its image. When using the image as a tool to access subjectivity, the artist aligns with a poet’s method, which uses words to abstract language. They are rhythmic noises that force us to look inward for what is – for the origin. Varda Caivano (b. 1971, Buenos Aires, Argentina) lives and works between London and Madrid. Her recent solo exhibitions have been held at Mendes Wood DM , New York (2025); Labor , Mexico City (2024); Mendes Wood DM , Brussels (2022); Lulu by X Museum , Mexico City (2022); Mendes Wood DM , São Paulo (2021); Tomio Koyama Gallery , Tokyo (2019); The Renaissance Society , Chicago (2015); Victoria Miro , London (2011); Chisenhale Gallery , London (2007); Kunstverein Freiburg , Freiburg (2006). Her recent group shows have been held at Green Family Art Foundation , Dallas (2025); Mendes Wood DM at d’Ouwe Kerke , Retranchement (2024 and 2022); Lisson Gallery , London (2024); Mendes Wood DM at d’Ouwe Kerke , Retracement (2022); Spiral Garden, Tokyo (2022); Zabludowicz Collection , London (2020); Hayward Gallery Touring , Leeds Museum and Art Gallery , Leeds; Levinsky Gallery, The Arts Institute – University of Plymouth , Plymouth; University of Bath and Bath Spa School of Art and Design , Bath; Inverness Museum & Art Gallery , Inverness; Thurso Art Gallery , Thurso (2019); National Museum of Art , Osaka (2018); Nottingham Contemporary , Nottingham (2014); 55th International Art Exhibition, La Biennale di Venezia , Venice (2013); Nottingham Contemporary , Nottingham; Hayward Gallery , London; Glasgow Centre for Contemporary Art , Glasgow; Plymouth Arts Centre , Plymouth (2010).