Paloma Bosquê

Paloma Bosquê’s research unfolds through an investigation of the materiality of bodies in constant transformation. Through a daily practice grounded in contact and intimacy with the materials that compose her sculptural vocabulary, Bosquê sees materiality as the result of the interaction between the many visible and invisible elements that consitute our surroundings. Earth as body; geological processes as sculptural gestures. Bosquê understands bodies as permeable matter in motion — continuously transforming one another, establishing and dismantling connections within and beyond the domain of the visible. Paloma Bosquê (b. 1982, Garç a , Brazil) lives and works between Brazil and Europe. Recent solo exhibitions have been held at Karin Guenther , Hamburg (2025); Mendes Wood DM , São Paulo (2024); Mendes Wood DM , Brussels (2022); Mendes Wood DM , São Paulo (2020); Blum & Poe , Tokyo (2020); Mendes Wood DM , New York (2019); Mendes Wood DM , Brussels (2018); Museu da Cidade , Lisbon (2017); Mendes Wood DM , São Paulo (2016); Pivô , São Paulo (2015). Additionally, her work has been included in institutional group exhibitions at Casa da Cultura da Comporta , Comporta (2025); Hayward Gallery , London (2024); Fondation Thalie , Brussels (2024); Kunsthaus Baselland , Basel (2023) ; Pivô , São Paulo (2021); PAC – Padiglione d'Arte Contemporanea , Milan (2018); Bienal de Arte Contemporânea de Coimbra , Coimbra (2017); Pivô , São Paulo (2016); Jewish Museum , New York (2016); Museum of Contemporary Art Detroit , Detroit (2015).