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Gianfranco Baruchello (Livorno, 1924 - Rome, 2023) lived and worked in Rome and Paris. In his long artistic research he has experienced and crossed the main tendencies of the Post-World War II, from Pop Art to Conceptual Art.Since the late 1950s he has used different media: painting, film, installation, objects, sculpture and performance practice. His first solo exhibition was in 1963, at the La Tartaruga Gallery in Rome: big paintings and small objects focused on the idea of formulating a first alphabet of images he calls Need, Hostility, Fear, Error, Desire, etc. In 1964, on the occasion of the exhibition at the Cordier & Ekstrom Gallery in New York, he exhibited works that presented a significant point of arrival in his research: fragmentation, dissemination on canvas of images reduced to minimal elements and conceptual decentralisation of space. From 1960 he began to produce short films, including Il grado zero del paesaggio (1963), Verifica incerta (1964-1965). Baruchello brought the very idea of fragmentation and montage to his experimentation with the painting, sculpture and moving images. In the same years he produced artist’s books such as La quindicesima riga (lines of text taken from hundreds of books) and Avventure nell’armadio di plexiglass (Adventures in a Plexiglas wordrobe). In 1962 he met Marcel Duchamp, to whom he dedicated the book Why Duchamp, published by McPherson, New York in 1985. In 1973, he started Agricola Cornelia S.p.A., an experiment between art and agriculture, which engaged him for eight years. In 1998, he set up the Baruchello Foundation with Carla Subrizi. Baruchello’s works are part of museum collections all over the world: Galleria Nazionale d’Arte Moderna e Contemporanea and MAXXI (Rome), MoMA and Guggenheim Museum (New York), Hirshhorn Museum (Washington), Philadelphia Museum of Art (Philadelphia) as well as Barcelona, Munich, Hamburg, London and Paris.