리처드 롱

Richard Long has been in the vanguard of conceptual art in Britain since he created A Line Made by Walking over half a century ago in 1967, while still a student. This photograph of the path left by his feet in the grass, a fixed line of movement, established a precedent that art could be a journey. Through this medium of walking, time, space and distance became new subjects for his art. From that time he expanded his walks to wilderness regions all over the world, including a walk in the Alps that was documented by his first text work for the seminal exhibition of Minimal and Conceptual works entitled When Attitude Becomes Form at the Kunsthalle Bern in 1969. After 1969, Long began making journeys and sculptures in wilderness places all around the world. In the 1980s, Long began making new types of mud works using handprints applied directly to the wall. He also continued to make large sculptures of lines and circles from slate, driftwood, footprints or stone, often sourced from quarries near the exhibition sites. Long mediates on his experience of these places, from mountains through to deserts, shorelines, grasslands, rivers and snowscapes, according to archetypal geometric marks and shapes, made by his footsteps alone or gathered from the materials of the place. These walks and temporary works of passage are recorded with photographs, maps and text works, where measurements of time and distance, place names and phenomena are vocabulary for both original ideas and powerful, condensed narratives.