티나 브래거

Tina Braegger is a painter whose work addresses questions related to originality, reproduction, authenticity, repetition, and difference. Since 2017, she has explored these topics through the motif of the „dancing bear,” a bootleg drawing that became an emblem of the American rock band The Grateful Dead in the 1970s. Braegger’s attraction to the bear has little to do with the band‘s music. Instead, her painting practice conceptually engages with how this counterfeit symbol inverts notions of official and unofficial, original and copy. In Braegger’s paintings, as in the concert parking lots that spawned countless variations of this figure, the bear operates according to the logic of the bootleg. The dancing bear absorbs, sponge-like, characteristics that it encounters through the process of its circulation, canonization, and its own fluctuating values—which Braegger addresses in her endless painterly permutations of this figure. As critic Francesco Tenaglia notes, „It is always there, in one form or another, and it defines the way painting reinvents it, reacts against it, ignores it, or digests it. It is a logo, a mannerism, a trigger, and a grid.“ Tina Braegger (b. 1985, Lucerne) lives and works in Basel. Her solo exhibition One Million Bears was recently on view at Museum Bellpark in Switzerland. Other exhibitions include Curiosity Killed the Cat , a two-person exhibition with Sturtevant curated by Udo Kittelmann at de 11 Lijnen in Belgium (2021) and a solo exhibition at Neuer Essener Kunstverein (2022). Her works have additionally been exhibited at Kunsthalle Bern; Luma Westbau, Zurich; Astrup Fearnley Museum of Modern Art, Oslo; Istituto Svizzero di Roma, Rome; Kunstmuseum St. Gallen, St. Gallen; Fondation Ricard, Paris; Institute of Contemporary Art, Philadelphia; among other venues.