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Mark Handforth’s work is centered around the sculptural vocabulary of urban areas and familiar elements of day-to-day life (traffic signs, streetlamps, motor scooters, truck wheels, hydrants, neon tubes, or candles). He adapts them by either remodeling them or by replicating them in an often considerably larger scale—which, in many cases, creates uncertainty as to whether the pieces are ready-mades or not. This is irrelevant: Handforth does not pursue any documentary interests; rather than wanting to reproduce reality, he arranges familiar everyday elements in such a way that they create new points of reference.

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