A global citizen, artist and thinker, Ai Weiwei moves between modes of production and investigation, subject to the direction and outcome of his research, whether into the Chinese earthquake of 2008 (for works such as Straight , 2008-12 and Remembering , 2009) or the worldwide plight of refugees and forced migrants (for Law of the Journey and his feature-length documentary, Human Flow , both 2017). From early iconoclastic positions in regards to authority and history, which included Dropping a Han Dynasty Urn and a series of middle-finger salutes to sites of power, Study of Perspective (both 1995), Ai’s production expanded to encompass architecture, public art and performance. Beyond concerns of form or protest, Ai now measures our existence in relation to economic, political, natural and social forces, uniting craftsmanship with conceptual creativity. Universal symbols of humanity and community, such as bicycles, flowers and trees, as well as the perennial problems of borders and conflicts are given renewed potency though installations, sculptures, films and photographs, while Ai continues to speak out publicly on issues he believes important. He is one of the leading cultural figures of his generation and serves as an example for free expression both in China and internationally.
All Fingers Must Point Down아이 웨이웨이
Bicycle Chandelier아이 웨이웨이
Black Chandelier아이 웨이웨이
Blue-And-White Porcelain Lion Merged with Toy Bricks아이 웨이웨이
Blue-And-White Porcelain Plate (Journey)아이 웨이웨이
Broken Wings in Dreams of Flying아이 웨이웨이
China Flag아이 웨이웨이
China Flag아이 웨이웨이
Circle of Animals / Zodiac Heads아이 웨이웨이
Circle of Animals/Zodiac Heads아이 웨이웨이
Colored Vases아이 웨이웨이
Crystal Cube아이 웨이웨이
Declaration of the Rights of Man and the Citizen Cut in Nine Pieces아이 웨이웨이
Divina Proportione아이 웨이웨이
Dropping a Han Dynasty Urn아이 웨이웨이
Dropping a Han Dynasty Urn아이 웨이웨이
Feet아이 웨이웨이
Fly아이 웨이웨이
Fondation아이 웨이웨이
Forever아이 웨이웨이이 작가를 응원하고 싶다면
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