The work of Runo Lagomarsino presents alternative perspectives on historical, political, and cultural power relationships. Often employing strategies of displacement and transformation to question the writing of history, especially within the context of South America, his installations, sculptures, pictures, and films focus on how today’s political and social environment has developed through historical processes and how this creates metaphors and pictures from which we read history and society. Lagomarsino’s oeuvre finds itself within a critical, decolonial project. However, in doing so, he does not primarily seek to tell other stories, reveal hidden truths, or construct new historical narratives from the perspective of the colonized. Rather, his work aims to recount the same stories in different ways , uncovering conflicting dependencies and complex political events without reducing their inevitable ambiguity. To search for fractures, for blind paths from where to tell other stories, from where to unlearn, and, particularly, from where to read the past and name the future. Born in Sweden to exiled Argentinian parents who descended from Italian émigrés who fled Europe during the First World War, Lagomarsino’s biography charts the very colonial histories that his works examine. Runo Lagomarsino (b. 1977, Lund, Sweden) lives and works between Malmö and São Paulo. Some of the artist’s solo exhibitions include É o caminho de casa que nos afasta , Mendes Wood DM and Galeria Vermelho , São Paulo (2024); We are here because you were there , Base , Florence (2023); The Inner Circles , Mendes Wood DM , Brussels (2021); The Square between the Waves , Konsthall Lund , Lund (2021); I am also smoke , Galerie Nordenhake , Stockholm (2020), We believe to be a land and the truth is we are barely a landscape , Kulturparken Småland , Utvandrarnas Hus , Växjö (2019); We are each other’s air , Francesca Minini , Milan (2019); Concentrations 61: Runo Lagoma rsino , EntreMundos , Dallas Museum of Art , Dallas (2018); La Neblina , Galeria Avenida da Índia , Lisbon (2018); Nils Stærk , Copenhagen (2017); Francesca Minini , Milan (2016); La Criée Center for Contemporary Art , Rennes (2015); Nils Stærk , Copenhagen (2014); Mendes Wood DM , São Paulo, (2013); Oslo Kunstförening , Oslo (2013); Swedish Contemporary Art Foundation , Stockholm (2012). Lagomarsino’s group exhibitions include (Un)seen Stories – Suchen, Sehen, Sichtbarmachen , Staatliche Museen zu Berlin , Berlin (2024); But So It Goes , Closing Soon , Athens (2024); It’s the way home that moves us away , Mendes Wood DM , São Paulo (2024); Feels Like Home – Kiasma’s Collection Exhibition , Kiasma Museum of Contemporary Art , Helsinki (2024); I See No Difference Between a Handshake and a Poem , Mendes Wood DM , Paris (2023); Ståhl Collection , Yllefabriken , Norrköping (2023); Linhas Tortas , Mendes Wood DM , São Paulo (2023); La terra nostra è un mostro di mare , KORA – Centro del Contemporaneo c/o Palazzo De Gualtieris , Castrignano de’ Greci, Lecce (2023); Área Play , Silvia Cintra + Box 4 , Rio de Janeiro (2023); The TV Trampoline / From Children’s Television to Contemporary Art and Literature , Norrtälje konsthall , Norrtälje (2023).
종료Runo LagomarsinoIt's the Way Home That Moves Us Away2.8 – 3.16
종료Lucas Arruda, Paloma Bosquê, Nina Canell, Guglielmo Castelli, 마리아나 카스티요 드볼, 소니아 고메스, Runo Lagomarsino, 파트리시아 레이치, Matthew Lutz-Kinoy, Paulo Nazareth, 레티시아 라모스, Luiz Roque, 잔자코모 로세티, 마이케 스호렐, Paula Siebra, 키시오 스가, 폴 타부레I See No Difference Between a Handshake and a Poem10.14 – 11.25
종료9.2 – 11.4
종료Lucas Arruda, 알바로 배링턴, 네일 벨루파, 린다 벵글리스, Kasper Bosmans, Paloma Bosquê, 하이디 부허, 바르다 카이바노, Nina Canell, Guglielmo Castelli, 마리아나 카스티요 드볼, 아드리아노 코스타, Michael Dean, Anna Bella Geiger, 소니아 고메스, Sanam Khatibi, Vojtěch Kovařík, Runo Lagomarsino, 미미 라우터, 파트리시아 레이치, 아마데오 루시아노 로렌자토, Matthew Lutz-Kinoy, Fernando Marques Penteado, 파울로 몬테이루, Paulo Nazareth, 파울로 니메르 피오타, Iulia Nistor, 안토니오 오바, Rosana Paulino, 마리나 페레즈 시망, 솔란지 페소아, 나우푸스 라미레스-피게로아, 레티시아 라모스, Luiz Roque, 잔자코모 로세티, 마이케 스호렐, Paula Siebra, Daniel Steegmann Mangrané, 키시오 스가, 루벰 발렌팀Linhas Tortas9.2 – 11.11
종료Runo LagomarsinoThe Inner Circles11.27 – 1.15
종료Lucas Arruda, 아드리아노 코스타, Runo Lagomarsino, Paulo Nazareth, 안토니오 오바, Rosana Paulino, Daniel Steegmann Mangrané, 루벰 발렌팀Construção2.6 – 4.30
종료Runo LagomarsinoNo Element, However Has the Final Word in the Construction of the Future4.7 – 5.17
종료Lucas Arruda, Kasper Bosmans, Paloma Bosquê, Nina Canell, 아드리아노 코스타, Michael Dean, 소니아 고메스, Runo Lagomarsino, 파트리시아 레이치, Matthew Lutz-Kinoy, Fernando Marques Penteado, Luiz Roque, Daniel Steegmann MangranéNeither., Curated by Fernanda Brenner4.18 – 6.17
종료Runo LagomarsinoLacuna8.15 – 9.25
종료Runo LagomarsinoWe Have Everything, but That’s All We Have5.4 – 6.15
Como Si Fuera Piedra la ArenaRuno Lagomarsino
Contratiempos DiaRuno Lagomarsino
El Descubrimiento de America (Para Robert Filliou)Runo Lagomarsino
El Infinito Querido Es Bien Poca CosaRuno Lagomarsino
Freedom for FireRuno Lagomarsino
Geometry Is HopeRuno Lagomarsino
GrèveRuno Lagomarsino
In My Dreams Europe Is Always Less than a MetreRuno Lagomarsino
Mare NostrumRuno Lagomarsino
More Delicate than the Historians' Are the Map-Makers'Runo Lagomarsino
On FireRuno Lagomarsino
Runo Is Not a NationRuno Lagomarsino
Sea GrammarRuno Lagomarsino
Trans Atlantic Thirty-TwoRuno Lagomarsino
Two Eggs Cartons (More Delicate than the Historian's Are the Map-Makers ColoursRuno Lagomarsino이 작가를 응원하고 싶다면
응원을 남기고 작가에게 연락하는 건 bside 앱에서 할 수 있어요. 새 전시 소식도 앱에서 팔로우로 받아요.