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Since Sue Williams’ pictorial and sculptural work came into the public eye in the 1990s, it has undergone great changes. At the beginning of her career, Williams painted figures that were heavily influenced by comic books and the pictorial language of advertisement. These paintings often showed domestic violence and explicit sexual content, which were mostly understood as a feminist critique of the patriarchal society and of war. Over the years, Williams sometimes rawly applied figurative scenes changed into more casual and extended compositions until they grew into almost or total abstractions, into intertwined, swirling compositions consisting of body parts, orifices, and betokened organs.

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