Ellie Omiya was born in Osaka in 1975, and graduated from the University of Tokyo, Faculty of Pharmaceutical Sciences. She began to pursue an independent career after working at an advertising agency, engaging in projects across various genres as an accomplished author, stage play director, screenwriter and director for television programs and films, and also as a radio personality. From 2012 she started holding interactive solo exhibitions presenting works conveying various images and text, which are completed through viewer’s participation. Omiya has gained high acclaim for her solo exhibitions including “To Convey Emotions” (toured PARCO MUSEUM and other venues, 2012-13), “To Be Alive” (PARCO MUSEUM, 2013), and “Message from the Starry Sky” (toured MITSUBISHI ESTATE ATRIUM and other venues, 2013-2014). Omiya’s journey as an artist began in 2012, when she was asked to produce a live drawing at the Gallery of Horyuji Treasures inside the Tokyo National Museum to celebrate Mr. Soichiro Fukutake’s receipt of the Montblanc de la Culture Arts Patronage Award. This first ever drawing she produced, “Celebration Melody: Naoshima” (currently in the private collection of Mr. Fukutake), while unexpectedly marking the beginning of her painterly practice, had received much attention and acclaim as her debut work. Ever since, Omiya has held numerous solo exhibitions such as “emotional journey” (Daikanyama Hillside Terrace, Tokyo) and “painting dreams” (Shibuya Hikarie 8/ CUBE, Tokyo) in 2015, followed by her first museum solo exhibition in 2016, “Sincerely Yours, Ellie Omiya”(Towada Art Center, Aomori), in which she also presented works outside the museum in the city’s local shopping arcade. In 2017, she held the solo exhibition “This is forest speaking” (Kanaz Forest of Creation, Fukui), and in 2018 participated in “Rokko Meets Art 2018” where she created and presented “Mansion of a Widow.” The work was featured in her 2019 solo exhibition “Beautiful Days” (Daikanyama Hillside Terrace / Hillside Forum, Tokyo) along with her new large-scale installation “One Day’s Picnic.” She continues to rapidly develop and progress in her career as an artist, publishing her new catalogue of illustrations and texts, “Whale of Rainbow” from Bijutsu Shuppan-sha in February 2019, also in March holding “A Wonderful Forest” (TICOLAT TAMURA, Hong Kong) which marks her first solo exhibition at an overseas gallery.
종료엘리 오미야Retrospective Exhibition "Ikiteiru to Iu Koto – To Live"11.21 – 11.30
종료샬롯 뒤마, 쿠와하라 마사히코, 미나미타니 리카, 엘리 오미야, 와다 사쿠라Landscape with a Dog10.5 – 11.3
종료엘리 오미야Preview Screening of the Vr Film "Frequency"9.26 – 9.30
종료엘리 오미야, Yuko Murata, Kentaro Kobuke, Kyoko MuraseHana11.26 – 1.30
종료안도 마사코, 후지타 스나, 카와시마 히데아키, 쿠도 마키코, 쿠와하라 마사히코, 미야케 신타로, 엘리 오미야, 오타케 리에코, 소메야 유코, Koichi Enomoto, Heihachiro Fukuda, Yuichi Inoue, Yuko Murata, Yu Nishimura, Kenzo Taruishi"Flowers & Birds"7.16 – 8.21
종료엘리 오미야Sacred Space12.19 – 2.6
종료엘리 오미야Peace Within You5.30 – 6.15
종료엘리 오미야Secret Garden4.26 – 5.22
종료미도리 사토, 히로세 사토시, 마스이 요시노, 코이데 나오키, 야마모토 게이스케, 나가이 토모코, 후노 나나, 엘리 오미야, 카시하라 유카, 리처드 터틀, 후지타 쇼헤이, 야마노 치사토“Tomio Koyama Gallery: Works From the Gallery Artists and the Collection 2”2.8 – 3.6
キンモクセイ엘리 오미야
A Direction엘리 오미야
A Widow's Bed "Quiet, Good Night, Like a Dream"엘리 오미야
とある未亡人の花束 「おもてなしの花」엘리 오미야
とある未亡人の椅子 「ちょっと座るのに便利。靴を履くときなど」엘리 오미야
A Widow's Sofa "Dressed up Sofa"엘리 오미야
森の中の女엘리 오미야
桜I엘리 오미야
桜II엘리 오미야
Blue and Coral Sea엘리 오미야
青の年表엘리 오미야
Cherry Blossom and Mount Fuji엘리 오미야
Cherry Blossom Ii엘리 오미야
アイヌの神々の崖엘리 오미야
Coffee? Or Book? Or Blanket?엘리 오미야
Cosmic Purple엘리 오미야
桜雲の漂うかなたの富士엘리 오미야
花顔 2엘리 오미야
Flower Face 3엘리 오미야
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