Montreuil 기반
French-born artist Julien Creuzet intertwines practices as a visual artist and poet through amalgams of sculpture, film, installation, and textual intervention. Describing Martinique, where the artist spent formative childhood years, as “the heart of my imagination,” Creuzet often addresses diasporic cultural experiences and post-colonial exchanges. Drawing from influences such as the poetic and philosophical reflections of Aimé Césaire and Édouard Glissant , Creuzet’s intellectual engagement with origins and alterity bridges celebratory, emancipatory, and critical expressions at the intersection of Caribbean history and European modernity. Julien Creuzet (b. 1986 in Le Blanc-Mesnil, France) lives and works in Montreuil. Creuzet represented France at the 60th Biennale di Venezia , Venice (2024) , with Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer, curated by Céline Kopp and Cindy Sissokho. The exhibition is now touring in North America at The Bell at Brown University, Providence (2025), Institute for Contemporary Art , Virginia Commonwealth University, Richmond (2025), and The Gund at Kenyon College, Gambier (2025). Recent individual exhibitions have taken place at LUMA Westbau , Zurich (2023); LUMA , Arles (2022); Camden Art Centre , London (2022); Centre Pompidou , Paris (2022); Palais de Tokyo , Paris (2019); CAN Centre d’Art Neuchâtel , Neuchâtel (2019); Fondation d’Entreprise Ricard , Paris (2018); and Bétonsalon , Paris (2018), among others. Creuzet has participated in numerous prominent group exhibitions, including the 35th Bienal de São Paulo , Salvador (2024) and São Paulo (2023); Performa Biennial , New York (2023); 12th Liverpool Biennial , Liverpool (2023); Museum of Contemporary Art Chicago , Chicago (2023); Musée Tinguely , Basel (2022); National Gallery of Prague , Prague (2022); Center for the Arts at Wesleyan University , Middletown (2021); Museum für Moderne Kunst – MMK , Frankfurt am Main (2020); Manifesta 13 , Marseille (2020); Musée d’Art Moderne de Paris , Paris (2019); Kampala Biennale , Kampala (2018); and Gwangju Biennale , Gwangju (2018). Creuzet’s work is included in institutional collections including Centre Pompidou , Paris; Centre national des arts plastiques , Paris; MMK Museum , Frankfurt; Yale University Art Gallery , New Haven; Fondation Villa Datris , L’Isle-sur-la-Sorgue; Fondation d’Entreprise Galeries Lafayette , Paris; Fonds d’art Contemporain , Paris; FRAC Fonds régionaux d’art contemporain , Bourgogne, Champagne-Ardenne; Grand Large , Île-de-France; Méca , Pays de la Loire; Carré d’Art-Musée d’art contemporain , Nîmes; KADIST Foundation , Paris; CCS Bard Hessel Museum of Art , Annandale -on-Hudson, among others . The artist is currently a Chef d’atelier at the Beaux-Arts de Paris. Creuzet has received numerous accolades, including the Étant d onnés Prize in 2022, the BMW Art Journey Award in 2021, and the Camden Arts Centre Emerging Artist Prize at Frieze in 2019. In 2021, he was also nominated for the prestigious Marcel Duchamp Prize .
종료메리코케 베르하누, 샌퍼드 비거스, 줄리앵 크뢰제, 레슬리 휴잇, 토미아스 라딘, 자말 사이러스, 제이슨 모란Pays Rêvé, Pays Réel: A Proposal by Lucien Terras8.25 – 9.25
종료메리코케 베르하누, 샌퍼드 비거스, 줄리앵 크뢰제, 레슬리 휴잇, 알렉스 가드너, 로베르토 마타, 토미아스 라딘, Leslie Hewitt in Collaboration With Jamal Cyrus, Jason Moran, Simone Leigh, Arjan Martins, MokéPays Rêvé, Pays Réel: A Proposal by Lucien Terras — In Dialogue With Works From the Seroussi Collection6.4 – 8.1
종료줄리앵 크뢰제Nos Diables Rouges, Nos Dérives Commotions9.4 – 10.25
Attila Cataracte줄리앵 크뢰제
Attila Cataracte줄리앵 크뢰제
Attila Cataracte줄리앵 크뢰제
Attila Cataracte줄리앵 크뢰제
Attila Cataracte줄리앵 크뢰제
Attila Cataracte, Ta Source Aux Pieds, Des Pitons Verts, Finira Dans la Grande Mer, Gouffre Bleu, Nous Nous Noyâmes, Dans les Larmes Marées, de la Lune, Corps Aquatique, Anse Baleine, Coquillage, Ranella Olearia줄리앵 크뢰제
Attila Cataracte, Ta Source Aux Pieds, Des Pitons Verts, Finira Dans la Grande Mer, Gouffre Bleu, Nous Nous Noyâmes, Dans les Larmes Marées, de la Lune, Feuilles de Balisier (Peinture, Coquillage), le Morne-Vert줄리앵 크뢰제
Attila Cataracte, Ta Source Aux Pieds, Des Pitons Verts, Finira Dans la Grande Mer, Gouffre Bleu, Nous Nous Noyâmes, Dans les Larmes Marées, de la Lune, Feuilles de Balisier, Rivière Falaise줄리앵 크뢰제
Dent Cariée Du Crétacé. Dans la Paume de Nos Mains줄리앵 크뢰제
Dent Cariée Du Crétacé. Dans la Paume de Nos Mains줄리앵 크뢰제
Dent Cariée Du Crétacé. Dans la Paume de Nos Mains, Méandre Androgyne, Nacre Délavée Fêlure Du Sablier. Miséricorde, Coffre Tes Murmures Divinatoires Sous les Pieds de Andromède (Carapace Megaptera)줄리앵 크뢰제
Encore Une Apnée, Encore Un Silence Étourdi, Ton Sourire de Solitude, Tes Mains Crasseuses de Gratitudes. (Our Archaeologies of Our Future Desires, Deux Oiseaux)줄리앵 크뢰제
La Carie (En Grec Ancien Kapia / Karia) Est Une Région Historique Du Sud-Ouest de L'Asie Mineure줄리앵 크뢰제
Last Time and Big Evening and If We Say Goodbye to the Trauma Nightmare. One Last Time Under the Headlights on the Big Night줄리앵 크뢰제
Les Moracées Se Présentent le Plus Souvent Sous la Forme D'Arbres Ou D'Arbustes, Mais on Peut Aussi Rencontrer Des Lianes Ou Même Des Plantes Herbacées. La Synapomorphie de Cette Famille Est la Présence de Latex Dans les Tissus (Parenchyme Ou Collenchyme)줄리앵 크뢰제
Lower Courtyard of the Sea줄리앵 크뢰제
Nos Diables Rouges줄리앵 크뢰제
Nos Diables Rouges줄리앵 크뢰제
Nos Diables Rouges줄리앵 크뢰제
Nos Diables Rouges줄리앵 크뢰제이 작가를 응원하고 싶다면
응원을 남기고 작가에게 연락하는 건 bside 앱에서 할 수 있어요. 새 전시 소식도 앱에서 팔로우로 받아요.