2022 · Acrylic Paint and Aerosol on Canvas Mounted on Aluminum Frame · 450 × 300 cm
Takashi MURAKAMI, 727 NYC, 2022, Acrylic paint and aerosol on canvas mounted on aluminum frame, 300 x 450 cm
10 7×2 122 (We Who Stopped Counting at Centillion Were Unable to Escape the Palm of Buddha's Hand…)다카시 무라카미
12 Arhats다카시 무라카미
12-Arhats다카시 무라카미
2020 the Name Succession of Ichikawa Danjūrō Xiii, Hakuen, Kabuki Jūhachiban다카시 무라카미
2-Arhats-Mediating-Amid-The-Hellfire-Of-The-Mound-Of-The-Dead다카시 무라카미
3M Girl (Original Rendering by Seiji Matsuyama, Modeling by BOME and Genpachi Tokaimura, Full Scale Sculpture by Lucky-Wide Co., Ltd.)다카시 무라카미
4 Arhats, One with Four Eyes다카시 무라카미
4-Arhats,One-With-Four-Eyes다카시 무라카미
500 Arhats다카시 무라카미
500 Arhats다카시 무라카미
727다카시 무라카미
727다카시 무라카미
727-272 <the Emergence of God at the Reversal of Fate>다카시 무라카미
772772다카시 무라카미
A Big Bouquet of Flowers in a Qinghua Jar다카시 무라카미
A.K.A. Gero Tan: Noah's Ark다카시 무라카미
Akihabara Majokko Princess다카시 무라카미
And Then, When That's Done I Change. What I Was Yesterday Is Cast Aside, Like an Insect Shedding It's Skin다카시 무라카미
And Then, When That's Done…… I Change. What I Was Yesterday Is Cast Aside, Like an Insect Shedding Its Skin다카시 무라카미이 작품이 마음에 든다면
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