2024 · Handblown Glass With Metal Inserts and Zinc-Passivated Steel · 19 × 35 × 35 cm
Marguerite Humeau, dead skins, 2024, Handblown glass with metal inserts and zinc-passivated steel, 19 x 35 x 35 cm
A Circular Piece of Land as an Access to the Nets of Spacetime Ii (Extraction Pipes)마르게리트 위모
A Circular Piece of Land as an Access to the Nets of Spacetime Iii (The Disappearance of the Bird and Double Rainbow)마르게리트 위모
A Circular Piece of Land as an Access to the Nets of Spacetime I (The Twist)마르게리트 위모
At the Conciliabule of Breathing Mounds Iv마르게리트 위모
Brain-Earth마르게리트 위모
Cattleguard마르게리트 위모
Centurience: Possessing the Primordial Patience to Outlast Catastrophe by Barely Moving at All, Knowing That Sometimes the Greatest Revolution Is Simply Refusing to Hurry Toward Extinction. In Darknes마르게리트 위모
Coalescaria: The Co-Formed Presence of Paired Stalagmites Becoming Monuments Through a Shared Long Weather, the Recognition That Identity and Strength Deepen When Grown Together in Obscurity.마르게리트 위모
Collective Effervescence마르게리트 위모
Extraction Pipes마르게리트 위모
Fallen Leaf마르게리트 위모
Fallen Leaf V마르게리트 위모
'Foxp2 (Biological Showroom)', Palais de Tokyo, Paris마르게리트 위모
Ghost Map Iii, I Drew: The Darkness of an Industrial Past, Eroded Soils, Memory of the Golden Light and Its Variations. Memory of Light. The Sunset, FLying Seeds. Dormant Seeds. I Drew Vulnerable, and Healing Plants, and Plants Oracles. The Plants Some Call “Weeds” May Be Living in Our ...마르게리트 위모
'High Tide' (The Dancer I, the Dancer Ii, the Dancers Iii & Iv|)마르게리트 위모
Ii - I Witnessed, a Story of Origins: The Nuptial Flight of Two Flying Winged Termites at Dusk. The Sudden Meeting of Two Body Surfaces, Creating Vibrations in the Mysterious Ether. In a Wind-Discarding Lightening-Like Movement, They Lost Their Wings. They Then Raced Against the Rain, in Their ...마르게리트 위모
Life in a Pile of Compost Vi마르게리트 위모
Limenescence: The Quiet Resolve to Metabolise on the Brink, Living With Just Enough Light, Like Root Tips and Algae at the Cave’s Mouth - Making Life From Scarcity.마르게리트 위모
'Migrations (Ei Niño, la Niña, Kuroshio)', 59th Venice Biennale, Curated by Cecilia Alemani마르게리트 위모이 작품이 마음에 든다면
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