Based in Seoul, South Korea
Dongmin Shin investigates states of fragmentation in which forms resist fixation, remaining in perpetual transition and transformation. In his work, images do not settle into completeness but linger at thresholds of becoming and dissolution, prompting the viewer to confront the precarious conditions of existence. Pencil and charcoal drawing gestures serve as a primary means of articulating this indeterminacy, yet his practice extends beyond a single medium, employing varied supports and formats to broaden its scope. Ultimately, Shin’s work mobilizes fragmented imagery and the traces of drawing to unsettle the boundaries of representation and to reimagine the sites in which art might reside.
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