The selection on view begins with the artist’s 1959 fervent self-portraits and macabre anatomical studies of male torsos and grinning skulls. These early works, which coincided with her time as a student at the Art Institute of Chicago, exude an eeriness and irreverence that prefigure the work Lozan
Source · hauserwirth.com/hauser-wirth-exhibitions/lee-lozano-hard-handshakeNo captures yet
