Now there’s painting on one side and photography—that is, the picture as such—on the other. Photography has almost no reality; it is almost 100 percent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture. . . . I once took some small pho
Source · gagosian.com/exhibitions/2019/gerhard-richter-overpainted-photographsSee more exhibitions and artworks in the bside app.
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