There is in Rodin a very pagan concern for the life-death continuum: clay as a manifestation of life and death. . . . It is a way of reminding us about the complexity of being in a body, of being alive. —Thomas Houseago We like to associate or confront Rodin’s works with the work of his own contempo
출처 · gagosian.com/exhibitions/2021/thomas-houseago-auguste-rodin
