To define Jacanamijoy’s paintings is to construct the genealogy of a signature cosmology that is the outcome of an intercultural fusion between his ancestors’ traditions and his Western artistic baggage. The artist adheres to the principles of Abstract Expressionism and the autonomy of color - a notion defined by Paul Gauguin - and, on his canvases, he offers a journey through the purity of his colors. Vibrant blues, yellows and reds that immerse us in a world of wild and altering environments that envelope and transport us to the forests of Colombia. It is also a journey through the forest of the unconscious to transcendence along the road to the infinite based on Kant's notion of the sublime. A journey within ourselves; an invitation to pause and reflect. Something stands out when we contemplate the artist’s work: that intense blue reminiscent of Yves Klein but that is also fluid, intangible and filters through our hands like a spring. And so, his work is not a straight line with a defined beginning and end; it is more of a curve, a circular figure with no beginning or end that unravels before our eyes. There is no Cartesian or scientific vocation to Carlos Jacanamijoy’s paintings, despite being intimately connected to the origin of the world. The painter's intention is fluid, therefore. It drinks from the surrounding reality, allows itself to be moved and, as mere human beings, it is aware that it is beyond us and so it is the painter’s task to reflect that awe and introspectiveness on the canvas. In the predominant abstraction of his paintings, we get a glimpse of shapes that appear to stand out from the canvas, figures that are in fact symbols - salvaging the idea of a ritual that is so dear to the artist - that reminds us of the pictorial surrealism of European tradition. Carlos Jacanamijoy does not rely on his eyes to paint and produce faithful portraits of what he sees. Instead, he allows himself to be guided by an internal drive that pushes him to translate the vibrations echoing inside him into colours. Carlos Jacanamijoy (b. 1964 in Santiago) lives and works in Colombia. His work has been the subject of many solo and group exhibitions, notably at Norwegian Museum of Cultural History (Oslo), Museo de Arte Moderno de Toluca (Mexico), Museo de Arte Moderno de Bogotá MAMBO (Bogota), Smithsonian Institution (New York).
종료카를로스 하카나미호이Olor a Tierra1.11 – 3.1
종료카를로스 하카나미호이Olor a Tierra1.11 – 3.1
종료애니 모리스, 카를로스 하카나미호이, 실비 플뢰리, 귄터 푀르크, 세자르, 돈 브라운, 카렐 아펠, Mimmo Rotella, Agustín CárdenasDialogues11.18 – 12.22
종료Mimmo Rotella, 애니 모리스, 카를로스 하카나미호이, 실비 플뢰리, 귄터 포르크, César, Agustín Cárdenas, 돈 브라운, 카렐 아펠Dialogues11.18 – 12.22
귄터 푀르크, 투리 시메티, 톰 웨셀만, 김민정, 케니 샤프, 프란체스코 베촐리, 그레고르 힐데브란트, 카를로스 하카나미호이, 알렉상드르 르누아르, 라이언 슈나이더, 투반 트란, Esther Mahlangu, Fabien AdèleMonaco Opening Show
귄터 포르크, Turi Simeti, 톰 웨셀만, 김민정, Dr. Esther Mahlangu, 케니 샤프, 프란체스코 베촐리, Gregor Hildebrandt, 카를로스 하카나미호이, Fabien Adèle, 알렉상드르 르누아르, 라이언 슈나이더, 투반 트란Monaco Opening Show
Caminos de Agua카를로스 하카나미호이
Caminos de Luz카를로스 하카나미호이
De Corazón a Corazón카를로스 하카나미호이
El Cobijo de Un Olor카를로스 하카나미호이
El Olor de Los Abuelos카를로스 하카나미호이
El Olor de Los Abuelos카를로스 하카나미호이
El Paso카를로스 하카나미호이
El Paso del Auca카를로스 하카나미호이
Las Múltiples Mirades del Auca카를로스 하카나미호이
Memorias del Rio카를로스 하카나미호이
Olor a Chagra, la Hojita Que Pisaste카를로스 하카나미호이
Olor a Chagra, la Hojita Que Pisaste카를로스 하카나미호이
Olor a Tierra카를로스 하카나미호이
Olor a Tierra카를로스 하카나미호이
Si, el Mirlo a la 5:30 Pm.카를로스 하카나미호이
Siempre Un Camino카를로스 하카나미호이
Viento Amarillo y Semillas Para Elevar Una Oración카를로스 하카나미호이이 작가를 응원하고 싶다면
응원을 남기고 작가에게 연락하는 건 bside 앱에서 할 수 있어요. 새 전시 소식도 앱에서 팔로우로 받아요.