To define Jacanamijoy’s paintings is to construct the genealogy of a signature cosmology that is the outcome of an intercultural fusion between his ancestors’ traditions and his Western artistic baggage. The artist adheres to the principles of Abstract Expressionism and the autonomy of color - a notion defined by Paul Gauguin - and, on his canvases, he offers a journey through the purity of his colors. Vibrant blues, yellows and reds that immerse us in a world of wild and altering environments that envelope and transport us to the forests of Colombia. It is also a journey through the forest of the unconscious to transcendence along the road to the infinite based on Kant's notion of the sublime. A journey within ourselves; an invitation to pause and reflect. Something stands out when we contemplate the artist’s work: that intense blue reminiscent of Yves Klein but that is also fluid, intangible and filters through our hands like a spring. And so, his work is not a straight line with a defined beginning and end; it is more of a curve, a circular figure with no beginning or end that unravels before our eyes. There is no Cartesian or scientific vocation to Carlos Jacanamijoy’s paintings, despite being intimately connected to the origin of the world. The painter's intention is fluid, therefore. It drinks from the surrounding reality, allows itself to be moved and, as mere human beings, it is aware that it is beyond us and so it is the painter’s task to reflect that awe and introspectiveness on the canvas. In the predominant abstraction of his paintings, we get a glimpse of shapes that appear to stand out from the canvas, figures that are in fact symbols - salvaging the idea of a ritual that is so dear to the artist - that reminds us of the pictorial surrealism of European tradition. Carlos Jacanamijoy does not rely on his eyes to paint and produce faithful portraits of what he sees. Instead, he allows himself to be guided by an internal drive that pushes him to translate the vibrations echoing inside him into colours. Carlos Jacanamijoy (b. 1964 in Santiago) lives and works in Colombia. His work has been the subject of many solo and group exhibitions, notably at Norwegian Museum of Cultural History (Oslo), Museo de Arte Moderno de Toluca (Mexico), Museo de Arte Moderno de Bogotá MAMBO (Bogota), Smithsonian Institution (New York).
EndedCarlos JacanamijoyOlor a TierraJan 11 – Mar 1
EndedCarlos JacanamijoyOlor a TierraJan 11 – Mar 1
EndedAnnie Morris, Carlos Jacanamijoy, Sylvie Fleury, Günther Förg, César, Don Brown, Karel Appel, Mimmo Rotella, Agustín CárdenasDialoguesNov 18 – Dec 22
EndedMimmo Rotella, Annie Morris, Carlos Jacanamijoy, Sylvie Fleury, Günther Förg, César, Agustín Cárdenas, Don Brown, Karel AppelDialoguesNov 18 – Dec 22
Günther Förg, Turi Simeti, Tom Wesselmann, Minjung Kim, Kenny Scharf, Francesco Vezzoli, Gregor Hildebrandt, Carlos Jacanamijoy, Alexandre Lenoir, Ryan Schneider, Thu-Van Tran, Esther Mahlangu, Fabien AdèleMonaco Opening Show
Günther Förg, Turi Simeti, Tom Wesselmann, Minjung Kim, Dr. Esther Mahlangu, Kenny Scharf, Francesco Vezzoli, Gregor Hildebrandt, Carlos Jacanamijoy, Fabien Adèle, Alexandre Lenoir, Ryan Schneider, Thu-Van TranMonaco Opening Show
Caminos de AguaCarlos Jacanamijoy
Caminos de LuzCarlos Jacanamijoy
De Corazón a CorazónCarlos Jacanamijoy
El Cobijo de Un OlorCarlos Jacanamijoy
El Olor de Los AbuelosCarlos Jacanamijoy
El Olor de Los AbuelosCarlos Jacanamijoy
El PasoCarlos Jacanamijoy
El Paso del AucaCarlos Jacanamijoy
Las Múltiples Mirades del AucaCarlos Jacanamijoy
Memorias del RioCarlos Jacanamijoy
Olor a Chagra, la Hojita Que PisasteCarlos Jacanamijoy
Olor a Chagra, la Hojita Que PisasteCarlos Jacanamijoy
Olor a TierraCarlos Jacanamijoy
Olor a TierraCarlos Jacanamijoy
Si, el Mirlo a la 5:30 Pm.Carlos Jacanamijoy
Siempre Un CaminoCarlos Jacanamijoy
Viento Amarillo y Semillas Para Elevar Una OraciónCarlos JacanamijoyWant to cheer on this artist?
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